SELECTED BIBLIOGRAPHY

ARTICLES & REVIEWS

Baker, Elizabeth C. “Report from Kassel: Documenta VI.” Art in America, 65, No. 5 (September–October 1977): 45.
Baker, Kenneth. “Michael Gitlin at OK Harris.” Art in America, 65, No. 3 (May-June 1977): 114.
Baruch, Adam. “Here They Come.” Yedioth Aharonot, Tel Aviv (July 24, 1981): 6.
———. “Gitlin File, 1981.” Yedioth Aharonot (September 11,1981): 6.
Ben Heim, Tsipi. “Michael Gitlin.” John Davis Gallery, Sculpture (March-April 1986): 30.
Bligh, Sophie. “Michael Gitlin: Nelly Aman Gallery.” Studio (February 2003).
Bradley, Laurel. “Michael Gitlin.” Arts Magazine, 53, No.2 (October 1978).
Brenson, Michael. “Michael Gitlin.” The New York Times (November 21, 1986): c26.
———. “Sculpture Breaks the Mold of Minimalism.” The New York Times, Arts and Leisure (November 23, 1986): 1.
Brenson, Michael. “Michael Gitlin.” The New York Times (March 4, 1988): c31.
Broder, F. J. “Prozess der Raumgrafik.” Donau Kurier (July 14, 1980).
Cardoza, Judith Lopez. “Marking Black.” Artforum (April 1980): 83.
Corn, Alfred. “Michael Gitlin: Stark Gallery.” Art News, with illustration (Summer 1992): 128.
Dienst, Rolf-Gunter. “Absolute Malerei.” Das Kunstwerk, 34, No. 4, with illustration (September 1981): 24.
Frank, Peter. “Michael Gitlin, Reviews.” Art News, 72, No. 6 (Summer 1973): 98.
Friedrichs, Yvonne. “Gitlin-Ausstellung.” Rheinische Post (September 22, 1981).
———. “Michael Gitlin—Skulpturen.” Galerie Schmela, Düsseldorf, Das Kunstwerk, 34, No. 6, with illustration (November 1981): 60–61.
Goldfine, Gil. “Going with Gitlin.” The Jerusalem Post, with illustration (September 9, 1988): 21.
Harris, Susan. “Michael Gitlin at Stark.” Art in America, with illustration (October 1998).
Heinemann, Susan. “Michael Gitlin.” Arts Magazine, 51, No. 7, with illustration (January 1977): 18.
Iovane, Giovanni. “Halal Contemporary Art from Israel.” Artefactum, with illustration (Autumn 1994): 37–38.
Kalina, Richard. “Michael Gitlin at Stark.” Art in America, with illustration (October 1992): 149–150.
Kesser, Caroline. “Michael Gitlin, Andre Emmerich Gallery.” Tages-Anzeiger (February 12, 1985).
Lorber, Richard. “Michael Gitlin.” Arts Magazine, 50, No. 9 (May 1976): 23.
Manteul, Annemarie. “Basler Galerien, Stampa: Michael Gitlin.” National Zeitung, Basel (February 1976).
Moody, Tom. “Critical Mass.” Art Papers (July–August 1995).
Muller, Dorothee. “Michael Gitlin.” Suddeutsche Zeitung (September 19, 1981).
Nahas, Dominique. “Michael Gitlin.” Review Magazine (May 1998).
Perrault, John. “A Smattering of New Talent.” The Village Voice (June 20, 1974): 47.
Pleynet, Marcelin. “Gitlin, Langlois, Nivollet, pour une nouvelle abstraction.” Art Press, with illustrations (April 1978).
Raynor, Vivien. “Where Black is the Primary Color.” The New York Times (February 10, 1980):. 18.
Restany, Pierre ”Tel Hai 80.” With illustration. Natura Integrale (October–November 1980): 24.
Ronnen, Meir. “The Age of Installation” With illustrations . The Jerusalem Post (August 26, 1977): 19.
———. “Up in Arms.” Art News, 77, No. 1 (January 1978): 129.
Rubey, Dan. “Michael Gitlin.” Art News, 87, No. 8, with illustration (October 1988): 182.
Schwabsky, Barry. “Michael Gitlin” Arts Magazine (February 1978): 107.
Schneckenburger, Manfred. “Kurze Thesen zur Plastik der 70 er Jahre.” Documenta 6, 1 (1977): 148, 178-79.
Shefi, Semadar. “Innards of Pain.” Haarets (November 15, 2002).
Silverman, Andrea. “Private Images.” Art News, 86, No. 6 (Summer 1987): 216.
Smith, Roberta. “Drawing from Life.” The New York Times (February 7, 1997).
Sozanski, Edward J. “Suggesting with Wooden Blocks.” The Philadelphia Inquirer, with illustrations (June 9, 1988).
Stockebrand, Janni. “Michael Gitlin.” Heute Kunst, Milan (June–July 1979).
Tsur, Uzi. “Michael Gitlin: Nelly Aman Gallery.” Haarets (November 15, 2002).
Turner, Norman. “Michael Gitlin.” Arts Magazine, 51, No. 3, with illustration (March 1977): 34–35.
Weskott, Hanne. “Michael Gitlin, New Works.” Kunstforum International, 32 (April 1979).
Wexler, Max. “Michael Gitlin at Andre Emmerich, Zurich.” ArteFactum, Antwerp, with illustration (September 1985).
Whitney, Kathleen. “Skilled Labor.” Sculpture Magazine 18, No. 4 (May 1999): 24–29.
———. “An Ambiguous Space.” World Sculpture News (2001): 46.
Wolf, Conradin. “Zersplittertes Universum.” Zuri-tip, Zurich, with illustration (February 10, 1989).
Zalmona, Yigal. “Michael Gitlin: Israel Museum.” Maariv, Tel Aviv (September 2, 1977).
Zevi, Adachiara. “Michael Gitlin: Il Minimalismo Lacerato.” L'architettura anno XXXVIII, n. 11, with illustration (November 1992): 807–810.
Zimmer, William. “The Potent Image at the Morris Museum.” The New York Times (November 9, 1986).

BOOKS & CATALOGS

Barzel, Amnon. Six Sculptors, Tel Aviv: Kibbutz Art Gallery, 1982.
———. Tel-Hai Contemporary Art Meeting, Tel-Hai: Regional Council Upper Galilee/Tel-Hai College, 1980.
———. Art in Israel, Flash Art Books, 1987, pp. 93, 94, 131.
Brockhaus, Christoph. Zur Sammlung internationaler Bildhauergraphik des 20. Jahrhunderts im Wilhelm-Lehmbruck-Museums, Wilhelm-Lehmbruck-Museums, Duisburg: 1991.
Carlson, Prudence, Peter Chametzky, and Sue Fellman. Tit-For-Tat-Lin, New York: Alternative Museum, 1984.
Catalog of the Collection. Krefeld: Kaiser Wilhelm Museum, 1984.
Catalog of the Collection. Duisburg: Wilhelm-Lehmbruck-Museum, 1978.
Contemporary Syntax: Structure and Geometry, Newark: Robeson Center Gallery, Rutgers University, 1988.
Damianovic, Maia. Silence and Reprieve, Antwerp: MUKHA (Museum of Contemporary Art), 1991–1992.
Deecke, Thomas. Sense and Sensuality, Bremen: Neues Museum Weserburg, with illustration, 2000, p. 128.
Documenta VI, Kassel: P. Dierichs 1977.
Drawing Invitational, Sydney: Ivan Dougherty Gallery, City Art Institute, 1986.
Ferguson, Robert. The Potent Image, Morristown: Morris Museum, 1986.
Fischer, Yona. Michael Gitlin, Works: 1974–77, Jerusalem: The Israel Museum, 1977.
———, and Meira Perry. Beyond Drawing, Jerusalem: The Israel Museum, 1974.
Friedel, Helmut. Michael Gitlin Munich: Kunstforum Städtische Galerie im Lenbachhaus, 1986.
Gentils, Annie. Michael Gitlin, Equilibrium, 1980, Antwerp: I.C.C. Antwerp, 1980.
Glusberg, Jorge. Paper as a Medium of Expression, Buenos Aires: CAYC, 1978.
Ingberman, Jeanette and Madeline Burnside. Marking Black, New York: Bronx Museum of Arts, 1980.
Innovations in Sculpture 1985–1988, Ridgefield: Aldrich Museum of Contemporary Art, 1988.
Kalina, Richard, Informed Form. Michael Gitlin, Selected Works, 1998-2007: Schuppenhauer Gallery + Projects 2007.
Kampf, Avram. Chagall to Kitaj, Jewish Experience in 20th-Century Art, with illustration, Westport: Praeger 1990, pp. 126–127.
Kelly, James J. The Sculptural Idea, with illustration, Minneapolis: Burgess Publishing Company, 1981.
King, Elaine, Baker, Kenneth and Zalmona, Ygal. Michael Gitlin 1982–1989, Pittsburgh: Carnegie Mellon Art Gallery, 1990.
Kronjäger, Jochen, and Shapira, Sarit. Michael Gitlin, Mannheim: Städtische Kunsthalle Mannheim, 1989.
Levin, Michael. Trends in Israeli Art 1970–1980, Special Exhibition: Art 12, 1981 International Art Fair, Basel, 17–22 June, 1981.
LeVitté-Harten, Doreet. Düsseldorf-Moskau-Jerusalem Binationale, 1991: Israeli Art Around 1990, Düsseldorf: Städtische Kunsthalle, pp. 144–149.
Madoff, Steven Henry. Michael Gitlin, Sculptures and Drawings 1982–1985, New York: Exit Art, 1985.
Michael Gitlin, New York: OK Harris Gallery, 1975.
Michael Gitlin, Düsseldorf, Germany: Schmela Gallery, 1976.
Michael Gitlin, New York: OK Harris Gallery, 1976.
Michael Gitlin, Düsseldorf: Schmela Gallery, 1978.
Nobakowski, Gisland. Lapidar, Stuttgart: D+C Müller Roth Gallery, 1981.
Perry-Lehman, Meira. Along New Lines, Jerusalem: The Israel Museum, 1994
Pleynet, Marcelin. Ten Years, Paris, France: Daniel Templon Gallery, 1978.
———. Michael Gitlin, Works 1974–1980, Erlangen: Städtische Galerie, 1980.
Pohlen, Annelie. Michael Gitlin, Broken Infinity 1986–1988, Bonn, Germany: Bonner Kunstverein, 1988.
Scheps, Marc and Willy Rotzler. Trends in Geometric Abstract Art Tel Aviv: The Tel Aviv Museum, 1986.
Schwabsky, Barry. The Object in Crisis, Bremen: Katrin Rabus Gallery, 1996
Schwarz, Arturo. Love at First Sight, Jerusalem: The Israel Museum, 2001, pp. 306–312.
Shapira, Sarit. Routes of Wandering, Jerusalem: The Israel Museum, 1991, p. 24.
Space Framed IV, Cambridge: Gund Hall Gallery, Harvard University Graduate School of Design, 1987.
Szeeman, Harald and Jürgen Harten. SculpturSein, Düsseldorf: Kunsthalle Düsseldorf, 1986.
Two Years: Accumulated Qualities, Tel Aviv: The Tel Aviv Museum, 1985.
Vom Zeichnen: 1960–85, Frankfurt/Vienna: Frankfurt Kunstverein/Vienna Museum of Modern Art, Kasseler Kunstverein, 1985.
Ways of Wood, New York: Sculpture Center, 1985.
Westfall, Stephen, Helmut Friedel, and Christine Tacke. Michael Gitlin, Munich: Kunstforum and Kunstraum, 1986.
World Print III, San Francisco: World Print Council, San Francisco, 1980.
Zalmona, Yigal. Here and Now, With illustrations, Jerusalem: The Israel Museum, 1982.
———. Location Direction 78, Israel: Kibbutz Ashdot Yaakov Museum, 1978.
———. On/In/With Paper: 100 Twentieth-Century Works from the Collection of the Israel Museum, edited by Meira Perry-Lehman, Jerusalem: The Israel Museum, 1990, pp. 232–233.